Margaret Lanzetta

About

Biography

 

MARGARET LANZETTA is a New York-based artist using abstract, culturally significant pattern to explore larger issues of language, political power, spirituality, and migration.

 Lanzetta has exhibited at the Museum of Modern Art, in the Queens Museum Biennial, Kenise Barnes Fine Art; Jason Andrew, Norte Mar venues; Elizabeth Heskin Gallery and Main Window all in New York. International exhibitions include the Kochi-Muziris Biennale Collateral Projects, India; the National Museum, Bangkok, Thailand (pop-up, solo); 2nd Bloom, Singapore; Famous Ornament, Tokyo; Reign Marks, Rabat, Morocco; Rome, ATP Gallery, London; and the Stockholm Independent Art Fair. Honors and awards include three Fulbright Fellowships, including an inaugural Global Award to India/Singapore/Thailand, 2016-19, and India /Syria, 2007-8; the MacDowell Colony, the Ucross Foundation; the British Academy in Rome; Greenwich House Pottery; Dieu Donné Papermill; and a permanent MTA Art Commission for the New York subway. Lanzetta received an MFA from the School of Visual Arts in New York. Her works are held in numerous collections including the Museum of Modern Art, NY; the British Museum and the Victoria and Albert Museum, London; the Yale University Museum; and the Harvard Museums. Press about her work has appeared in The New York Times, The Brooklyn Rail,  ArtCritical.com, Two Coats of Paint, and several Indian and Asian online and print venues.  Lanzetta divides her studio time between New York and various studios in India, Morocco and Japan.

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Exhibition at Clemente Center, New York. on wall: Future Ready, acrylic, rayon, sari fabric and Monkey Applause, acrylic,rayon, cotton bedsheet, sari fabric. On pedestal, ceramic crown: Joffrey, porcelain and black mason stain.

Exhibition at Clemente Center, New York. on wall: Future Ready, acrylic, rayon, sari fabric and Monkey Applause, acrylic,rayon, cotton bedsheet, sari fabric. On pedestal, ceramic crown: Joffrey, porcelain and black mason stain.

 
 
 

Artist Statement

 

My work generally involves investigating cross currents of world decorative traditions in relation to contemporary cultural, political, and environmental narratives. I combine globally-sourced, patterned textiles with painting, silkscreening and digital technology to create tactile works that meld geopolitics with centuries-old motifs.

Resisting conventional painting techniques, and mimicking the insistent, accumulative process of weaving, I repeatedly silkscreen digitally manipulated stripes, florals and zigzags on surfaces of collaged textiles. The resulting patterned, textured surfaces, formed by accumulation, also reference modern painting traditions such as the grid, op art, the formalism of Minimalism, and the Pattern and Decoration movement.

Works range from silkscreened and collaged paintings, wall installations of botanical imprints and cropped Islamic mosque floor plans, to porcelain royal crowns with their politically nefarious decorative patterning. Approximating a cultural dialogue, the works offer a sense of hope in an otherwise globalized cacophony of cultures and religions.

My transcultural influences stem from years of living and working as an artist in India, Japan, Southeast Asia, and North Africa. Buddhist iconography and meditation practices, Islamic trance-like geometry, chromatically exuberant crafts, and notions of hybridity and migration embedded in textiles continually inform my work. I thrive on making art in places of great beauty and spiritual inspiration.

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MARGARET LANZETTA

EDUCATION                  

School of Visual Arts, NYC MFA  

College of the Holy Cross, Worcester, MA. BA Fine Arts

SOLO/TWO PERSON EXHIBITIONS

2021

Russell Janis Gallery, Williamsburg, Brooklyn Almost Enlightenment

Almost Enlightenment Panel Discussion with Madeleine Viljoen, Curator of Prints & Photographs at New York Public Library, Artist Julia Kunin and Janis Stemmermann, Creative Director / Printmaker at Russell Janis

2020              

Norte Maar/Mark Morris Dance Center, New York, Strategy Royale , commission for Counter Pointe 8; Collaboration with choreographer Mari Meade

2019              

National Museum of Bangkok, Thailand: Another Global City (Artist lecture and pop-up exhibition)

The Clemente Center, New York: Open Doors, with Jodie Manasevit, invited by Elisabeth Condon.

2018

Windows-On-Main, Brooklyn, New York: Smart Luck Road, (site specific installation)curator: Beth Dary

INSTINCSingapore:  Second Bloom

2016-17

Kochi-Muziris Biennale Collateral Projects, India: Folded Language, a site specific installation. curator: Tanya Abraham

2015

Kenise Barnes Fine Art, New York: The Chanteuse and A Loaded Gun

2015

Heskin Contemporary, New York: Blues For Allah

2013

Youkubo Art Space, Tokyo: Famous Ornament

2012

Le Cube Gallery, Rabat, Morocco: Reign Marks

Gwarlingo Art Journal: Utopia Minus Project, online collaboration with Poet Susan Briante

Galerie du Jardin des Biehn, Fes, Morocco: Seven Types of Terrain, Lanzetta: Paintings and Textiles from the Collection of Michel Biehn 
French Institute Gallery, Fes, Morocco: Land Farthest West

Fes.Morocco: Studio

2010

Cantor Gallery, Worcester, Ma.: Pet the Pretty Tiger: Works 1990-2010. Curator: Carol Schwarzman. Essays by John Yau and Judy Halebsky.

2009

PS 1 MoMa New York: Studio Visit

Kenise Barnes Fine Art, New York: how to live elsewhere

2006

Bernard Toale Gallery, Boston: Vapor Trail

Kenise Barnes Fine Art, New York: Plaisir

2004

Queens Museum: World's Great Age,  New York, site specific commission for the Queens International,

2002

University of Southern Maine, Portland: The Strangeness of Beauty

2001

New York Meatpacking Studio: Blood River

Deborah Berke Architects, New York: Papernapkin Smirk

 

Selected Group Exhibitions

2024

Project ARTSpace, New York, Anywhere But Here

Gillette Gallery, Garrison, NY, Upside Down and Inside Out

2023

WhiteBox, New York: Off the Cloth 2, curators: Karen Cordero Reiman and Yohanna M. Roa

2022

Cedar Rapids Museum of Art Abstract Ideas: Abstract Art from the Collection

Planthouse, New York: Carnival

2021

ChaShaMa 81 Essex, New York: Houston, We Have a Problem, curator: David Packer 

Ojas Gallery, New Delhi, India: Reciprocations: American Fulbright Artists and Indian Connections,  curated by Kathryn Myers.

Kenise Barnes Fine Art, Kent, CT: Cool and Collected ‘21 with Jill Parisi and Gabe Brown

2020

The Hewitt Gallery of Art, Marymount College, New York: Changing Lanes: Painters Explore Dimensions in Clay. Curator: Judy Mannarino

Kenise Barnes Fine Art, New York: Let the Sky Soak In, with Stephen Maine, Elizabeth Gourlay

2019                 

Clemente Soto Velez Center, New York: Among Friends. Curators: Beth Dary, Alexi Brock and Patricia Fabricant

2018

Russell Janis Gallery, Williamsburg, Brooklyn: Potters and Printmakers, 2017                 

Museum of Modern Art, New York: Club 57: Film, Performance, and Art in the East Village, 1978–1983 

The first major exhibition to fully examine the scene-changing, interdisciplinary life of this seminal downtown NY alternative space

2016

Greenwich House Pottery, New York: Ceramics Now with Sheila Pepe, Halsey Rodman, and Giselle Hicks

 SPRING/BREAK, New York's curator-driven Art Fair: Portable Mind

Washington D.C. Project for the Arts: Mirror, Mirror: Art Meets the Monsters

Kenise Barnes Fine Art, New York: Flower Power, with Cara Enteles, David Koninsberg and Mary Judge,

2015

CLIPBOARD Durbar Hall Art Centre, Kochi, India curator: Shijo Jacob

Norte Maar 1285 Ave of the Americas Gallery: between a place and candy: new works in pattern + repetition + motif. Curator: Jason Andrew

Art Helix, Bushwick, NY: Type Indicators.. Curator: Wilson Duggan

2014

 Curatorium, Hudson, NY: PULL: Chronically Undifferentiated. Curator: Robert Godfrey

2013

Le Cube Gallery, Rabat, Morocco: SuperMarket 2013 at the Stockholm Indpendent Art Fair

Cantor Gallery, Worcester, Ma: Spark. Curator: Roger Hankins

2012

Heskin Contemporary, New York: Place Angle Position

Nancy Margolis Gallery, New York: Permanent Collection. Curator: Edward del Rosario

Schweinfurth Memorial Art Center, New York : Super Saturated:Pattern and Pigment. Curator: Kenise Barnes

2011

Small Black Door Gallery, Bushwick, NY: The Unfunny Show. Curator: Mattrew Fisher

Rockland Center for the Arts, NY: Flowers, Follies and Other Rites of Spring. Curator: Kenise Barnes

 International Print Center, New York: New Prints 2011:WINTER

2010

Local Projects Gallery, New York: Autosemblematic. Curator: Jennifer Junkermeier

 Nicolaysen Museum of Art, Wyoming: Ucross: 27 Years of Art. Curator: Lisa Hatchadorian

2009

Gallery Satori, Lower Eastside New York: Fresh Asphalt. Curator: Eun Young Choi

Dean Projects and Crossing Art Gallery, New York: Rococo Pop

2008

New Editions/Artists Book Fair, Jean-Yves Noblet Editions, New York

2006

Mills Gallery, Boston Center for the Arts: Global Pop. Curator: Joseph Carroll

2005

 Minnesota Center for Art, Minneapolis: Plane and Form

Average Industries Gallery, Art Basel, Miami: All Terrain

APT Gallery, London, UK: Private View

2004

Dieu Donne Papermill, New York: New Projects

2003

British Academy in Rome, Italy: The Fine Arts

2001

Dieu Donne Papermill, New York: Remix. Curator: Edwin Ramoran

2000

 Weatherspoon Art Museum, North Carolina: Art on Paper 2000

Milwaukee Art Museum, Wisconsin: 25 Years of Dieu Donne Paper

Karen McCready Fine Art, New York: Six Abstract Painters

Mason Gross Arts Gallery, Rutgers University, New Jersey: Paper Trail

FELLOWSHIPS,RESIDENCIES, COMMISSIONS

2020

Strategy Royale, commission for NORTE MAAR’s Counter Pointe 8 dance performance. Collaboration with choreographer Mari Meade

2016-2019        

Inaugural Senior Fulbright Global Fellowship to India, Singapore and Thailand

2018

VCCA, Virginia Center for the Creative Arts Residency

INSTINC Art Residence, Singapore

Le Cube Guest Artist, Rabat, Morocco

2016

Artist-in-Residence, Greenwich House Pottery, New York

Kashi Art Residency, Fort Kochi, India

2015

Commissioned art for Mirror Mirrored: A Contemporary Artists' Edition of 25 Grimm's Tales. Editors: Michelle Aldredge and Corwin Levi, Gwarlingo Press

2013

Youkubo Artist Residency, Tokyo, Japan

2010

Ucross Foundation Artist Residency, Wyoming

2007-8

Fulbright Senior Research Fellowship to India and Syria see images:

2007

Culture SwirlPermanent commission for the NYC Subway for the MTA Arts for Transit Program

2007, 2004, 2001

The MacDowell Colony Residencies

2003

British Academy in Rome: Abbey Fellowship in Painting

1998-99

Dieu Donne Papermill Workspace Residency Grant

Selected Collections

Museum of Modern Art, New York

The British Museum, London, UK

The Victoria and Albert Museum, London, UK

The Harvard University Art Museum, Massachusetts

Yale University Art Gallery, New Haven, Connecticut

The New York Public Library

Werner Kramarsky

New York University Medical Centers

Northern Illinois University

Cedar Rapids Museum of Art, Iowa

Amerada Hess Corporation, New York

The Hallmark Art Collection

Press

2023

Italianità, The Essence of Being Italian, editor: Joanne Matera

2021

SVA Visual Arts Journal: Beyond Definition: The Traditional, Radical, Multitudinous World of Ceramic Art, Diane McClure

2017

The Language of the Sari, The Hindu National, Priyadershini S

In the Spirit of Enquiry, Kerala Review

Indulge: Art in Kochi New Indian Express, Arya P Dinesh

2016

Romanov Grave Art Journal: One Question,One Answer  by Bonnie Rychlak

2015

Muftah.org: Blues For Allah: Reflections on Patterns Across Time & Space, 
by Anna Jacobs and George Bajalia

2014

Gallery Travels: Blues For Allah at Heskin Contemporary by Anne Russinof

Mockingbird Blog: Margaret Lanzetta Painting by Steve Gibson

2012

The Brooklyn Rail: Margaret Lanzetta, Reign Marks by Carol Schwarzman

Diptich Magazine, Casablanca: A Fes Inspire des Artistes New-Yorkais, by Syham Weigant

A View From Fez: Superb Art in the Fes Medina by Susanna Clarke

Babelfan, Morocco: Reign Marks by Carine Adam-Destang

2011

Two Coats of Paint: Sneaky Fun in Ridgewood-The UnFunny Show by Sharon Butler

Bushwick Daily: I Heart Ridgewood-The UnFunny Show, by Katarina Hybenova

2010

ArtCritical.com: A Post Modern Garden: The Work of Margaret Lanzetta by John Yau

catalog essay: Ways to Leave Home by poet Judy Halebsky

2006

560 Broadway: The New York Drawing Collection of Werner Kramarsky editor, Amy Eshoo

2006

Hand Papermaking Journal, review: Vapor Trail, Bernard Toale Gallery, by editor: Mina Takahashi

The Boston Globe,review: Global Pop: We ARE What We Buy,  by Cate McQuaid. Oct 12

The Victoria and Albert Museum Publications: Prints Now, Directions and Definitions, by Gill Saunders,Rosemary Miles

Hand Papermaking Journal: Plane and Form at Minnesota Center for Arts, review: K. Searle,

2003

The Victoria and Albert Museum, Art Libraries Journal UK: Collecting the Contemporary by Gill Saunders

La Republica Rome: Cosi La Mostra, by Mario de Candia. June 20

2002

CRIA Foundation, Unframed, Artists Respond to AIDS,editor: Manuel Gonzales

2000

The New York Times: Six Abstract Painters, review by Ken Johnson. July 2

Teaching/Lectures

2023                

University of Connecticut, Visiting Artist, MFA Department

Eastern Connecticut College and St Joseph’s College, Ct Visiting Artist

2022                

British Academy in Rome: Visiting Artist Talk

2019                

National Museum of Bangkok, Thailand: Artist lecture and pop-up exhibition

2018                

La Salle College of Art, Singapore: visiting artist

2017                

National Institute of Fashion Technology, Kannur, India: visiting artist and lecturer 

TAOS, The Art Reach Society, Kochi, India: printmaking workshops

2015

Pace University, New York, visiting lecturer

2014

Artist Talk at the Elizabeth Foundation, New York: Contents May Have Shifted

2010

College of the Holy Cross, Massachusetts visiting artist

2008

University of Baroda, India, visiting lecturer

Institute of Art and Design, Jaipur, India visiting lecturer

2006

Makor-Steinhardt Center, NYC “Beauty’s Burden” panel, moderator: David Gibson

2005, 2000, 2001

Western Carolina University, professor, MFA program

Asheville Museum of Art, North Carolina, public lecture

2000

The Isamu Noguchi Museum, Long Island City, staff lecturer

Other Education

Kunstakademie Dusseldorf, Germany 1989-90

Skowhegan School of Painting & Sculpture, Skowhegan, Maine 1981

Parsons School of Design, New York City 1979-80

Tyler School of Art, Rome, Italy 1978

Studio Art Center International, Florence, Italy 1977

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Collections

Selected Public Collections

Museum of Modern Art, New York

British Museum, London

Victoria and Albert Museum, London

The New York Public Library Print Collection

Harvard Art Museums/Fogg Museum, Cambridge

Yale University Art Gallery, New Haven

Northern Illinois University Museum, Dekalb

Cedar Rapids Museum of Art, Iowa

The Hallmark Fine Art Collection, Kansas City

Amerada Hess Corporation, New York

New York University Medical Centers

College of the Holy Cross, Worcester, Massachusets

Selected Private Collections

Kenise Barnes, New York

Mary Kathryn Brown, Arkansas

Pamela Butler, New York

Susan Drew, Los Angeles

Bill and Jodi Gorin, New York

Dawn and Chuck Hendricks, New York

Barbara Kelly, Canada

Barbara and Roger Kohin, Worcester

Patti Kraft, Boston

Werner Kramarsky, New York

Richard Landy, New York

Leslie and Michael Meyers, New York

Jean-Yves Noblet, New York

Loan Pham, New York

Tunde and Sunder Reddy, New York

Janet and John Robinson, New York

Natasha and Ross Taylor, Australia

Nancy Tepper, New York

Bruce and Naomi Usher, New York

Dan Cullen and Mary Chris Welch, New York

Jennifer Kroman and David Wermuth, New York

Niall Worn, Germany

Lori and Barry Kupferberg

Elisabeth Pisternak, Rabat, Morocco

Nawal Slaoui, Casablanca, Morocco

 
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